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ENGLISH LANGUAGE ARTS STANDARDS FOR FRESHMEN AND SOPHOMORES

ILLINOIS STATE PERFORMANCE DESCRIPTORS FOR GRADES 8, 9 and 10

ENGLISH LANGUAGE ARTS STANDARDS FOR JUNIORS AND SENIORS

ILLINOIS STATE PERFORMANCE DESCRIPTORS FOR GRADES 11 and 12

EPAS ENGLISH STANDARDS FOR TRANSITION

COLLEGE READINESS STANDARDS

TITLES FROM FREE RESPONSE QUESTIONS ON THE AP ENGLISH AND COMPOSITION EXAM

 

ENGLISH LANGUAGE ARTS STANDARDS FOR FRESHMEN AND SOPHOMORES

STATE GOAL 1: Read with understanding and fluency.

Why This Goal Is Important:
Reading is essential. It is the process by which people gain information and ideas from books, newspapers, manuals, letters, contracts, advertisements and a host of other materials. Using strategies for constructing meaning before, during and after reading will help students connect what they read now with what they have learned in the past. Students who read well and widely build a strong foundation for learning in all areas of life

1.A.4a Expand knowledge of word origins and derivations and use idioms, analogies, metaphors and similes to extend vocabulary development.

1.A.4b Compare the meaning of words and phrases and use analogies to explain the relationships among them.

1.B.4a Preview reading materials, clarify meaning, analyze overall themes and coherence, and relate reading with information from other sources.

1.B.4b Analyze, interpret and compare a variety of texts for purpose, structure, content, detail and effect.

1.B.4c Read age-appropriate material with fluency and accuracy.

1.C.4a Use questions and predictions to guide reading.

1.C.4b Explain and justify an interpretation of a text.

1.C.4c Interpret, evaluate and apply information from a variety of sources to other situations (e.g., academic, vocational, technical, personal).

1.C.4d Summarize and make generalizations from content and relate them to the purpose of the material.

1.C.4e Analyze how authors and illustrators use text and art to express and emphasize their ideas (e.g., imagery, multiple points of view).

1.C.4f Interpret tables, graphs and maps in conjunction with related text.

 

STATE GOAL 2: Read and understand literature representative of various societies, eras and ideas.

Why This Goal Is Important:
Literature transmits ideas, reflects societies and eras and expresses the human imagination. It brings understanding, enrichment and joy. Appreciating literature and recognizing its many forms enable students to learn and respond to ideas, issues, perspectives and actions of others. Literature study includes understanding the structure and intent of a short poem or a long, complex book. By exploring the techniques that
authors use to convey messages and evoke responses, students connect literature to their own lives and daily experiences.

2.A.4a Analyze and evaluate the effective use of literary techniques (e.g., figurative language, allusion, dialogue, description, symbolism, word choice, dialect) in classic and contemporary literature representing a variety of forms and media.

2.A.4b Explain relationships between and among literary elements including character, plot, setting, theme, conflict and resolution and their influence on the effectiveness of the literary piece.

2.A.4c Describe relationships between the author's style, literary form (e.g., short stories, novels, drama, fables, biographies, documentaries, poetry, essays) and intended effect on the reader.

2.A.4d Describe the influence of the author's language structure and word choice to convey the author's viewpoint.

2.B.4a Critique ideas and impressions generated by oral, visual, written and electronic materials.

2.B.4b Analyze form, content, purpose and major themes of American literature and literature of other countries in their historical perspectives.

2.B.4c Discuss and evaluate motive, resulting behavior and consequences demonstrated in literature.

 

STATE GOAL 3: Write to communicate for a variety of purposes.

Why This Goal Is Important:
The ability to write clearly is essential to any person's effective communications. Students with high-level writing skills can produce documents that show planning and organization and can effectively convey the intended message and meaning. Clear writing is critical to employment and production in today's world. Individuals must be capable of writing for a variety of audiences in differing styles, including standard rhetoric themes, business letters and reports, financial proposals, and technical and professional communications. Students should be able to use word processors and computers to enhance their writing proficiency and improve their career opportunities.

3.A.4 Use standard English to edit documents for clarity, subject/verb agreement, adverb and adjective agreement and verb tense; proofread for spelling, capitalization and punctuation; and ensure that documents are formatted in final form for submission and/or publication.

3.B.4a Produce documents that exhibit a range of writing techniques appropriate to purpose and audience, with clarity of focus, logic of organization, appropriate elaboration and support and overall coherence.

3.B.4b Produce, edit, revise and format work for submission and/or publication (e.g., manuscript form, appropriate citation of sources) using contemporary technology.

3.B.4c Evaluate written work for its effectiveness and make recommendations for its improvement.

3.C.4a Write for real or potentially real situations in academic, professional and civic contexts (e.g., college applications, job applications, business letters, petitions).

3.C.4b Using available technology, produce compositions and multimedia works for specified audiences.

 

STATE GOAL 4: Listen and speak effectively in a variety of situations.

Why This Goal Is Important:
Of all the language arts, listening and speaking are those most often used on a daily basis at home, school and work or in the community. Skill in speaking is universally recognized as a primary indicator of a person's knowledge, skill and credibility. In person, by phone or through video, good listening and speaking skills are essential to sending, receiving and understanding messages. To understand messages spoken by others, students must be able to listen carefully, using specific techniques to clarify what they have heard. For speaking properly and making messages understood, grammar, sentence structure, tone, expression and emphasis must be part of students' repertoires.

4.A.4a Apply listening skills as individuals and members of a group in a variety of settings (e.g., lectures, discussions, conversations, team projects, presentations, interviews).

4.A.4b Apply listening skills in practical settings (e.g., classroom note taking, interpersonal conflict situations, giving and receiving directions, evaluating persuasive messages).

4.A.4c Follow complex oral instructions.

4.A.4d Demonstrate understanding of the relationship of verbal and nonverbal messages within a context (e.g., contradictory, supportive, repetitive, substitutive).

4.B.4a Deliver planned informative and persuasive oral presentations using visual aids and contemporary technology as individuals and members of a group; demonstrate organization, clarity, vocabulary, credible and accurate supporting evidence.

4.B.4b Use group discussion skills to assume leadership and participant roles within an assigned project or to reach a group goal.

4.B.4c Use strategies to manage or overcome communication anxiety and apprehension (e.g., developed outlines, notecards, practice).

4.B.4d Use verbal and nonverbal strategies to maintain communication and to resolve individual and group conflict.

 

STATE GOAL 5: Use the language arts to acquire, assess and communicate information

Why This Goal Is Important:
To be successful in school and in the world of work, students must be able to use a wide variety of information resources (written, visual and electronic). They must also know how to frame questions for inquiry, identify and organize relevant information and communicate it effectively in a variety of formats. These skills are critical in school across all learning areas and are key to successful career and lifelong learning experiences.

5.A.4a Demonstrate a knowledge of strategies needed to prepare a credible research report (e.g., notes, planning sheets).

5.A.4b Design and present a project (e.g., research report, scientific study, career/higher education opportunities) using various formats from multiple sources.

5.B.4a Choose and evaluate primary and secondary sources (print and nonprint) for a variety of purposes.

5.B.4b Use multiple sources and multiple formats; cite according to standard style manuals.

5.C.4a Plan, compose, edit and revise information (e.g., brochures, formal reports, proposals, research summaries, analyses, editorials, articles, overheads, multimedia displays) for presentation to an audience.

5.C.4b Produce oral presentations and written documents using supportive research and incorporating contemporary technology.

5.C.4c Prepare for and participate in formal debates.

 

ILLINOIS STATE PERFORMANCE DESCRIPTORS FOR GRADES 8, 9 and 10

 

Stage I - English Language Arts Grade 8, 9 and 10.

Descriptors

1A - Students who meet the standard can apply word analysis and vocabulary skills to comprehend selections.

  1. Expand knowledge of word origins and derivations.
  2. Use idioms, analogies, metaphors, and similes to extend vocabulary development.
  3. Apply knowledge of roots and affixes to comprehend the meaning of unfamiliar or difficult words, terms, or phrases.
  4. Identify and analyze the meanings of specialized vocabulary/terminology.
  5. Analyze the structure and function of words in context.
  6. Analyze and interpret word usage in traditional and contemporary sources (e.g., books, lyrics, speeches).
  7. Interpret American idioms to strengthen comprehension.
  8. Identify analogy in text and use analogy to explain a relationship.

 

1B - Students who meet the standard can apply reading strategies to improve understanding and fluency.

  1. Use previewing and predicting before reading, and questioning during reading.
  2. Relate reading with information from other sources (e.g., prior knowledge, personal experience, other reading) using a variety of strategies.
  3. Analyze a variety of texts for purpose, structure, content, detail, and effect.
  4. Interpret and compare a variety of texts for purpose, structure, content, detail, and effect.
  5. Analyze overall themes and discover coherence.
  6. Clarify meaning of text by focusing on the key ideas presented explicitly or implicitly.
  7. Identify how different content areas require different organizational structures (e.g., science text, literary text).
  8. Demonstrate fluency by reading aloud a variety of materials (e.g., dialogue, dramatizations).
  9. Select and read books for recreation.

 

1C - Students who meet the standard can comprehend a broad range of reading materials.

  1. Ask questions before, during, and after reading which demonstrate that understanding of the reading has progressed.
  2. Use topic, theme, organizational patterns, context, and point of view to guide interpretation.
  3. Interpret concepts or make connections through analysis, evaluation, inference, and/or comparisons.
  4. Analyze how authors and illustrators use text and art to express and emphasize their ideas (e.g., imagery, multiple points of view).
  5. Identify and use criteria for evaluating the accuracy of text information.
  6. Summarize and make generalizations from content and relate them to the purpose of the material.
  7. Recognize kinds of writing (e.g., expository, persuasive, narrative).
  8. Explain and justify an interpretation of the text using relevant, accurate references.
  9. Challenge ideas presented in a text through questions about specific parts of the text.
  10. Interpret tables, graphs, diagrams, and maps in conjunction with related text by drawing conclusions to support text.

 

2A - Students who meet the standard can understand how literary elements and techniques are used to convey meaning.

  1. Explain how the author uses literary techniques to achieve the intended effect.
  2. Support assertions with evidence from the text.
  3. Explain how the author uses literary elements (e.g., point of view, character) to achieve an intended effect.
  4. Identify details that reveal the author's style.
  5. Evaluate the impact of the author's word choice, language structure, and syntax.
  6. Identify the details that reveal the genre (e.g., short stories, novels, dramas, fables, biographies).
  7. Demonstrate an understanding of the interrelationships among reader, author, form, and text.
  8. Evaluate how a text reflects a culture, society, or historical period.

 

2B - Students who meet the standard can read and interpret a variety of literary works.

  1. Identify ideas and impressions communicated through a variety of literary works.
  2. Respond to text by evaluating key ideas.
  3. Support an evaluation of the text using content from the media.
  4. Make connections between a text and its cultural environment.
  5. Evaluate how attitudes toward a situation or problem (e.g., attitudes concerning environment, immigrants, poverty, parent-child relationships) change in different periods of history or in different cultures.
  6. Evaluate a character's behavior.
  7. Engage in literary discussions (e.g., conflict, resolutions, relevance, background, effectiveness, realism).

 

3A - Students who meet the standard can use correct grammar, spelling, punctuation, capitalization and structure.

  1. Compose and edit using Standard English (e.g., clarity, subject/verb agreement, adverb/adjective agreement, verb tense, audience, purpose for writing).
  2. Format documents in final form for submission and/or publication.
  3. Proofread for correct English conventions.

 

3B - Students who meet the standard can compose well-organized and coherent writing for specific purposes and audiences.

  1. Use writing process of prewriting, drafting, revision, editing, and publication to produce work.
  2. Compose a clear thesis/claim that contains the main idea in an essay.
  3. Defend word and/or technique choice appropriate for specific audiences.
  4. Alter a document to address a different audience and/or purpose.
  5. Use a variety of genres (e.g., essay, poetry, short story).
  6. Evaluate and use figurative language.
  7. Identify and use analogy in writing.
  8. Use a variety of revision strategies to improve clarity of work.

 

3C - Students who meet the standard can communicate ideas in writing to accomplish a variety of purposes.

  1. Compose informational writing (e.g., narrative, expository, persuasive, argumentative) that supports a topic or thesis statement with well-articulated evidence.
  2. Compose an argumentative paper that objectively evaluates 2 or more positions on an issue and selects the best position, based on the evidence presented.
  3. Complete a sample application accurately using standard grammatical conventions.
  4. Adjust voice, tone, vocabulary, and grammatical conventions according to both purpose and audience.
  5. Demonstrate the proper format/conventions for business letters.
  6. Convert a formal letter into an informal one (or vice versa).
  7. Develop a cover letter and resume for a particular job title.
  8. Write creatively for a specified purpose and audience.
  9. Use available technology to draft, design, produce, revise, and present compositions and multimedia works for specified audiences.

 

4A - Students who meet the standard can listen effectively in formal and informal situations.

  1. Demonstrate understanding of material, concepts, and ideas in formal/informal presentations.
  2. Analyze, synthesize, and evaluate information from recorded materials and live presentations.
  3. Paraphrase and summarize, with appropriate editorial comments, information from formal, informal, and media presentations.
  4. Ask probing, idea-generating questions and make appropriate statements to clarify and add to meaning.
  5. Analyze and evaluate verbal and nonverbal cues.
  6. Critique the relationship between a speaker's verbal communication skills (e.g., work choice, pitch, feelings, tone, voice) and nonverbal messages (e.g., eye contact, gestures, facial expressions, posture, spatial proximity).
  7. Modify, control, block out both internal and external distractions.

 

4B - Students who meet the standard can speak effectively using language appropriate to the situation and audience.

  1. Communicate effectively the intended message.
  2. Use effective verbal and nonverbal feedback (response) strategies to adjust message.
  3. Use a variety of verbal and nonverbal cues (e.g., pauses, posture change, location, tone of voice.)
  4. Use language that is clear, audible, and appropriate.
  5. Use appropriate grammar, word choice, and pacing.
  6. Demonstrate effective use of visual aids and available technology.
  7. Rehearse presentations to overcome communication anxiety and apprehension.
  8. Demonstrate composure while confronting or rebutting opposing views.
  9. Recognize and assume differing roles within a group.
  10. Discuss a problem within a group setting, list and evaluate possible solutions to attempt consensus.

 

5A - Students who meet the standard can locate, organize, and use information from various sources to answer questions, solve problems, and communicate ideas.

  1. Survey, with minimal guidance, a subject and select a topic.
  2. Distinguish among kinds of information needed to solve a problem, present possible solutions, or extend information about a topic or problem (e.g., fact/opinion, example/evidence).
  3. Apply criteria for determining the credibility of multiple sources of information.
  4. Organize information for different formats (e.g., narrative report, data analysis).
  5. Follow appropriate style manual accurately (e.g., APA, MLA).

 

5B - Students who meet the standard can analyze and evaluate information acquired from various sources.

  1. Analyze and evaluate information.
  2. Use criteria (e.g., accuracy, timeliness, reliability) to evaluate primary and secondary sources (e.g., juried article, edited text, reputation of author/publisher).
  3. Select source(s) and identify the reasoning strategies (e.g., inductive, deductive) that support major ideas developed by the writer.
  4. Cite the source(s) of all direct quotations and paraphrased/summarized information.
  5. Develop a bibliography and a source(s) cited page using an appropriate format.

 

5C - Students who meet the standard can apply acquired information, concepts and ideas to communicate in a variety of formats.

  1. Match the method of inquiry to the question or problem.
  2. Use multiple, reliable sources to develop and support major ideas.
  3. Revise, edit, and proofread.
  4. Design and present, as an individual or group, a written, oral, video, or multimedia project that:

 

ENGLISH LANGUAGE ARTS STANDARDS FOR JUNIORS AND SENIORS

STATE GOAL 1: Read with understanding and fluency.

Why This Goal Is Important:
Reading is essential. It is the process by which people gain information and ideas from books, newspapers, manuals, letters, contracts, advertisements and a host of other materials. Using strategies for constructing meaning before, during and after reading will help students connect what they read now with what they have learned in the past. Students who read well and widely build a strong foundation for learning in all areas of life

1.A.5a Identify and analyze new terminology applying knowledge of word origins and derivations in a variety of practical settings.

1.A.5b Analyze the meaning of abstract concepts and the effects of particular word and phrase choices.

1.B.5a Relate reading to prior knowledge and experience and make connections to related information.

1.B.5b Analyze the defining characteristics and structures of a variety of complex literary genres and describe how genre affects the meaning and function of the texts.

1.B.5c Evaluate a variety of compositions for purpose, structure, content and details for use in school or at work.

1.B.5d Read age-appropriate material with fluency and accuracy.

1.C.5a Use questions and predictions to guide reading across complex materials.

1.C.5b Analyze and defend an interpretation of text.

1.C.5c Critically evaluate information from multiple sources.

1.C.5d Summarize and make generalizations from content and relate them to the purpose of the material.

1.C.5e Evaluate how authors and illustrators use text and art across materials to express their ideas (e.g., complex dialogue, persuasive techniques).

1.C.5f Use tables, graphs and maps to challenge arguments, defend conclusions and persuade others.

 

STATE GOAL 2: Read and understand literature representative of various societies, eras and ideas.

Why This Goal Is Important:
Literature transmits ideas, reflects societies and eras and expresses the human imagination. It brings understanding, enrichment and joy. Appreciating literature and recognizing its many forms enable students to learn and respond to ideas, issues, perspectives and actions of others. Literature study includes understanding the structure and intent of a short poem or a long, complex book. By exploring the techniques that
authors use to convey messages and evoke responses, students connect literature to their own lives and daily experiences.

2.A.5a Compare and evaluate oral, written or viewed works from various eras and traditions and analyze complex literary devices (e.g., structures, images, forms, foreshadowing, flashbacks, stream of consciousness).

2.A.5b Evaluate relationships between and among character, plot, setting, theme, conflict and resolution and their influence on the effectiveness of a literary piece.

2.A.5c Analyze the development of form (e.g., short stories, essays, speeches, poetry, plays, novels) and purpose in American literature and literature of other countries.

2.A.5d Evaluate the influence of historical context on form, style and point of view for a variety of literary works.

2.B.5a Analyze and express an interpretation of a literary work.

2.B.5b Apply knowledge gained from literature as a means of understanding contemporary and historical economic, social and political issues and perspectives.

 

STATE GOAL 3: Write to communicate for a variety of purposes.

Why This Goal Is Important:
The ability to write clearly is essential to any person's effective communications. Students with high-level writing skills can produce documents that show planning and organization and can effectively convey the intended message and meaning. Clear writing is critical to employment and production in today's world. Individuals must be capable of writing for a variety of audiences in differing styles, including standard rhetoric themes, business letters and reports, financial proposals, and technical and professional communications. Students should be able to use word processors and computers to enhance their writing proficiency and improve their career opportunities.

3.A.5 Produce grammatically correct documents using standard manuscript specifications for a variety of purposes and audiences

3.B.5 Using contemporary technology, produce documents of publication quality for specific purposes and audiences; exhibit clarity of focus, logic of organization, appropriate elaboration and support and overall coherence.

3.C.5a Communicate information and ideas in narrative, informative and persuasive writing with clarity and effectiveness in a variety of written forms using appropriate traditional and/or electronic formats; adapt content, vocabulary, voice and tone to the audience, purpose and situation.

3.C.5b Write for real or potentially real situations in academic, professional and civic contexts (e.g., applications, job applications, business letters, resume, petitions).

 

STATE GOAL 4: Listen and speak effectively in a variety of situations.

Why This Goal Is Important:
Of all the language arts, listening and speaking are those most often used on a daily basis at home, school and work or in the community. Skill in speaking is universally recognized as a primary indicator of a person's knowledge, skill and credibility. In person, by phone or through video, good listening and speaking skills are essential to sending, receiving and understanding messages. To understand messages spoken by others, students must be able to listen carefully, using specific techniques to clarify what they have heard. For speaking properly and making messages understood, grammar, sentence structure, tone, expression and emphasis must be part of students' repertoires.

4.A.5a Use criteria to evaluate a variety of speakers' verbal and nonverbal messages.

4.A.5b Use techniques for analysis, synthesis, and evaluation of oral messages.

4.B.5a Deliver planned and impromptu oral presentations, as individuals and members of a group, conveying results of research, projects or literature studies to a variety of audiences (e.g., peers, community, business/industry, local organizations) using appropriate visual aids and available technology.

4.B.5b Use speaking skills to participate in and lead group discussions; analyze the effectiveness of the spoken interactions based upon the ability of the group to achieve its goals.

4.B.5c Implement learned strategies to self-monitor communication anxiety and apprehension (e.g., relaxation and transference techniques, scripting, extemporaneous outlining, repetitive practice).

4.B.5d Use verbal and nonverbal strategies to maintain communication and to resolve individual, group and workplace conflict (e.g., mediation skills, formal and informal bargaining skills).

 

STATE GOAL 5: Use the language arts to acquire, assess and communicate information

Why This Goal Is Important:
To be successful in school and in the world of work, students must be able to use a wide variety of information resources (written, visual and electronic). They must also know how to frame questions for inquiry, identify and organize relevant information and communicate it effectively in a variety of formats. These skills are critical in school across all learning areas and are key to successful career and lifelong learning experiences.

 5.A.5a Develop a research plan using multiple forms of data.

5.A.5b Research, design and present a project to an academic, business or school community audience on a topic selected from among contemporary issues

5.B.5a Evaluate the usefulness of information, synthesize information to support a thesis, and present information in a logical manner in oral and written forms.

5.B.5b Credit primary and secondary sources in a form appropriate for presentation or publication for a particular audience.

5.C.5a Using contemporary technology, create a research presentation or prepare a documentary related to academic, technical or occupational topics and present the findings in oral or multimedia formats.

5.C.5b Support and defend a thesis statement using various references including media and electronic resources.

 

ILLINOIS STATE PERFORMANCE DESCRIPTORS FOR GRADES 11 and 12

Stage J - English Language Arts GRADE 11 and 12

Descriptors

1A - Students who meet the standard can apply word analysis and vocabulary skills to comprehend selections.

  1. Analyze and interpret specialized vocabulary/ terminology.
  2. Apply knowledge of word origins and derivations in a variety of practical settings.
  3. Determine the relationship(s) between pairs of words in analogous statements.
  4. Extend ideas and enrich vocabulary through independent exploration of words.
  5. Select/use strategies to analyze the meaning of abstract concepts to facilitate comprehension.

 

1B - Students who meet the standard can apply reading strategies to improve understanding and fluency.

  1. Relate reading to self, world, and other texts and experiences and make connections to related information.
  2. Use both implicit and explicit information to form an interpretation of text.
  3. Define the characteristics and structures of a variety of complex literary genres and analyze how genre affects the meaning and function of the texts.
  4. Compare the author's strategies and organizational patterns in a variety of compositions.
  5. Analyze and compare a variety of texts for purpose, structure, content, detail, and effect.
  6. Demonstrate fluency with age-appropriate materials.
  7. Select and read books for recreation.

 

1C - Students who meet the standard can comprehend a broad range of reading materials.

  1. Use preview questions and predictions to guide reading across complex materials and confirm or deny predictions.
  2. Use topic, theme, organizational pattern, context, and point of view to guide interpretation.
  3. Analyze and defend an interpretation of text by integrating interpretation with text-based support.
  4. Evaluate how authors and illustrators use text and art to express their ideas.
  5. Critically evaluate information from multiple sources.
  6. Summarize and make generalizations from content and relate them to the purpose of the material.
  7. Analyze the techniques and effects of writing strategies.
  8. Synthesize key points and supporting detail to form conclusions.
  9. Analyze tables, graphs, diagrams, and/or maps for accuracy and relevancy for text support.
  10. Construct tables, graphs, and/or maps that are accurate and support written text.
  11. Recognize types of writing (e.g., expository, persuasive, narrative).

 

2A - Students who meet the standard can understand how literary elements and techniques are used to convey meaning.

  1. Evaluate how the author uses literary elements and techniques to achieve the intended effect.
  2. Support assertions with evidence from the text.
  3. Critique the author's style or form.
  4. Evaluate an understanding of the interrelationships among reader, author, form, and text.
  5. Evaluate how a text reflects a culture, society, or historical period.

 

2B - Students who meet the standard can read and interpret a variety of literary works.

  1. Analyze and compare ideas and impressions communicated through a variety of literary works.
  2. Evaluate an interpretation by linking the interpretation to specific aspects of the text.
  3. Demonstrate how a text reflects its time, place, and circumstances.
  4. Construct connections to relevant aspects of contemporary and historical human experience.
  5. Evaluate the treatment of issues in works from varying historical periods and cultural perspectives.
  6. Engage in literary discussions (e.g., conflict, resolutions, relevance, background, effectiveness, realism).

 

3A - Students who meet the standard can use correct grammar, spelling, punctuation, capitalization and structure.

  1. Edit/revise draft documents to more effectively communicate the intended message.
  2. Produce grammatically correct document using standard manuscript specification for a variety of purposes and audiences.
  3. Use appropriate style manuals and guides (e.g., MLA, APA).
  4. Format documents in final form for submission and/or publication.
  5. Proofread for correct English conventions.

 

3B - Students who meet the standard can compose well-organized and coherent writing for specific purposes and audiences.

 

3C - Students who meet the standard can communicate ideas in writing to accomplish a variety of purposes.

  1. Write on one topic for different audiences by adjusting tone, voice, vocabulary, and grammar conventions.
  2. Compose an argumentative paper that objectively evaluates 2 or more positions on an issue and selects the best position, based on the evidence presented.
  3. Accomplish the assumed purpose (e.g., job application, resume, petition).
  4. Apply appropriate format and structure that effectively address a variety of real-life situations.
  5. Adjust voice, tone, vocabulary, and grammatical conventions according to purpose and audience.
  6. Evaluate a variety of compositions for purpose, structure, content, and details.

 

4A - Students who meet the standard can listen effectively in formal and informal situations.

  1. Demonstrate understanding of materials, concepts, and ideas.
  2. Analyze, synthesize, and evaluate information.
  3. Analyze possible alternative viewpoints related to the content of verbal presentations (e.g., debates).
  4. Develop and ask questions related to the content and purpose of oral/media presentations.
  5. Paraphrase and/or summarize information with appropriate editorial comment.
  6. Critique the relationship between a speaker's verbal communication skills (e.g., work choice, pitch, feelings, tone, voice) and nonverbal messages (e.g., eye contact, gestures, facial expressions, posture, spatial proximity).

 

4B - Students who meet the standard can speak effectively using language appropriate to the situation and audience.

  1. Communicate effectively the intended message.
  2. Use effective non-verbal feedback (response) strategies.
  3. Use a variety of verbal and non-verbal cues.
  4. Speak clearly and confidently (e.g., use good volume, eye contact, body language).
  5. Use appropriate grammar, word choice, and pacing.
  6. Demonstrate effective use of visual aids and available technology.
  7. Analyze possible discussion roles; select, evaluate, and reselect as appropriate.
  8. Analyze information to make appropriate predictions and judgments.

 

5A - Students who meet the standard can locate, organize, and use information from various sources to answer questions, solve problems, and communicate ideas.

  1. Survey a subject and select a topic.
  2. Distinguish among kinds of data needed to solve a problem, present possible solutions, or extend information about a topic or problem (e.g., fact/opinion, example/evidence).
  3. Evaluate a number of informational sources for relevancy and accuracy.
  4. Develop, collect, and analyze various kinds of information related to a topic.
  5. Organize information for a presentation.
  6. Follow appropriate style manual accurately (e.g., APA, MLA).

 

5B - Students who meet the standard can analyze and evaluate information acquired from various sources.

  1. Identify information most pertinent to task.
  2. Develop simple conclusions based on inductive and/or deductive reasoning.
  3. Defend relevant information by linking it to the problem and/or area requiring clarification.
  4. Cite all source(s) of quoted and borrowed information.
  5. Develop a bibliography and a works/sources cited page using an appropriate format.

 

5C - Students who meet the standard can apply acquired information, concepts and ideas to communicate in a variety of formats.

  1. Use multiple, reliable sources to develop and support major ideas in an oral or multimedia presentation.
  2. Choose, evaluate, and use multiple primary and secondary sources.
  3. Organize, edit, and revise information for presentation to an audience.

 

    EPAS ENGLISH STANDARDS FOR TRANSITION

1. Topic Development in Terms of Purpose and Focus

2. Organization, Unity, and Coherence

3. Word Choice in Terms of Style, Tone, Clarity, and Economy

A

A ° Recognize blatantly illogical conjunctive adverbs

A ° Revise sentences to correct awkward and confusing arrangements of sentence elements ° Revise ambiguous pronouns that create obvious sense problems (e.g., meaning or logic)

B ° Identify the basic purpose or role of a specified phrase or sentence

° Delete obviously irrelevant material from an essay

B ° Select the most logical place to add a sentence in a paragraph

B ° Delete obviously synonymous and wordy material in a sentence

° Revise expressions that violate the essay’s tone

° Revise phrases to provide the most specific detail

C ° Identify the main theme or topic of a straightforward piece of writing

° Determine relevancy when presented with a variety of sentence-level details

C ° Use a conjunctive adverb or phrase to express a straightforward logical relationship, such as chronology

° Decide the most logical place to add a sentence in an essay

° Add a sentence that introduces a simple paragraph

C ° Delete redundant material when information is repeated in different parts of speech (e.g., “alarmingly startled”)

° Use the word or phrase most consistent with the style and tone of a fairly straightforward essay

° Determine the clearest and most logical conjunction to link clauses

D ° Identify the focus of a simple essay, applying that knowledge to add a sentence that sharpens that focus or to determine if an essay has met a specified goal

° Delete material primarily because it disturbs the flow and development of the paragraph

° Add a sentence to introduce or summarize the essay and to accomplish a fairly straightforward purpose such as illustrating a given statement

D ° Use conjunctive adverbs or phrases to create subtle logical connections between sentences, such as cause-effect

° Rearrange the sentences in a fairly

uncomplicated paragraph for the sake of logic

° Provide a transition between paragraphs when the essay is fairly straightforward

D ° Revise a phrase that is redundant in terms of the meaning and logic of the entire sentence

° Identify and correct vague pronoun references

° Use the word or phrase most appropriate in terms of the content of the sentence and tone of the essay

E  ° Identify both the focus and purpose of a fairly involved essay, applying that knowledge to determine the rhetorical effect of a new or existing sentence, or the need to add supporting detail or delete plausible but irrelevant material

° Add a sentence to accomplish a subtle purpose such as emphasis and to express meaning through connotation

E ° Make sophisticated distinctions concerning the logical use of conjunctive adverbs or phrases, particularly when signaling a shift between paragraphs

° Rearrange sentences to improve the logic and coherence of a complex paragraph

° Add a sentence to introduce or conclude a fairly complex paragraph

E ° Correct redundant material that involves sophisticated vocabulary and sounds acceptable as conversational English (e.g., “an aesthetic viewpoint” versus “the outlook of an aesthetic viewpoint”)

° Correct vague and wordy or clumsy and confusing writing containing sophisticated language

F ° Determine whether a complex essay has accomplished a specific purpose

° Add a phrase or sentence to accomplish a complex purpose, often expressed in terms of the main focus of the essay

F ° Consider the need for introductory sentences or transitions, basing decisions on a thorough understanding of both the logic and rhetorical effect of the paragraph and essay

F ° Delete redundant material that involves subtle concepts or that is redundant in terms of the paragraph as a whole

     

4. Sentence Structure and Formation

5. Conventions of Usage

6. Conventions of Punctuation

A ° Use conjunctions or punctuation to join simple

clauses

° Revise shifts in verb tense between simple

clauses in a sentence or between simple adjoining sentences

A ° Solve such basic usage problems as whether to use a comparative or a superlative adjective and which word to use in such pairs as past or passed

A ° Delete commas that create basic sense problems (e.g., between two parts of a compound noun, between verb and direct

object)

B ° Use punctuation or conjunctions to coordinate

uncomplicated sentences and to avoid awkward-sounding fused sentences or sentence fragments

° Correct glaringly inappropriate shifts in verb

tense or voice

B ° Solve such basic grammatical problems as whether to use an adverb or an adjective form,

how to form comparative and superlative adjectives, how to ensure straightforward

subject-verb and pronoun-antecedent agreement, and when to use the contraction it’s

B ° Provide appropriate punctuation in straightforward situations (e.g., items in a

series)

° Delete commas that disturb the sentence flow (e.g., between modifier and modified element)

C ° Recognize and correct marked disturbances of

sentence flow and structure (e.g., participial

phrase fragments, missing relative pronouns,

dangling or misplaced modifiers)

C ° Identify the past and past participle forms of irregular but commonly used verbs and identify when prepositions are idiomatically appropriate to their context

° Ensure that a verb agrees with its subject when there is some text between the two

C ° Use commas to set off simple parenthetical phrases

° Delete unnecessary commas when an incorrect reading of the sentence suggests a pause that should be punctuated (e.g.,

between verb and direct object clause)

D ° Revise to avoid faulty placement of phrases

and faulty coordination and subordination of

clauses in sentences with subtle structural

problems

° Maintain consistent verb tense and pronoun

person on the basis of the preceding clause or

sentence

D ° Ensure that a pronoun agrees with its

antecedent when the two occur in separate

clauses or sentences

° Identify the correct past and past participle

forms of irregular and infrequently used verbs

and form present-perfect verbs by using have

rather than of

D ° Use punctuation to set off complex

parenthetical phrases

° Recognize and delete unnecessary commas

based on a careful reading of the entire

sentence (e.g., between the elements of a

compound subject or a compound verb)

° Use apostrophes to indicate simple possessive

nouns

° Recognize inappropriate uses of colons and

semicolons

E ° Use sentence-combining techniques,

effectively avoiding problematic comma

splices, run-on sentences, and sentence fragments, especially in sentences containing compound subjects or verbs

° Maintain a consistent and logical use of verb

tense and pronoun person on the basis of information in the paragraph or essay as a whole

E ° Correctly use reflexive pronouns, the possessive pronouns its and your, and the relative pronoun who rather than whom

° Ensure that a verb agrees with its subject in unusual situations (e.g., when the subject-verb order is inverted or when the subject is an

indefinite pronoun)

° Use commas to set off a

nonessential/nonrestrictive appositive or

clause

° Deal with multiple punctuation problems (e.g., compound sentences containing unnecessary commas and phrases that may or may not be parenthetical)

° Use an apostrophe to show possession, especially with irregular plural nouns

° Use a semicolon to indicate a relationship between closely related independent clauses

F ° Work comfortably with long sentences and

complex clausal relationships within sentences, avoiding weak conjunctions between

independent clauses and maintaining parallel

structure between clauses

F ° Provide idiomatically and contextually appropriate prepositions following verbs in

situations involving sophisticated language or ideas

° Ensure that a verb agrees with its subject when a phrase or clause between the two suggests a different number for the verb

F ° Use a colon to introduce an example or an elaboration

 

COLLEGE READINESS STANDARDS

View or print the set of English Standards on two 8-1/2 x 11 pages (PDF).

 

Score Range
13–15

Score Range
16–19

Score Range
20–23

Score Range
24–27

Score Range
28–32

Score Range
33–36

Topic
Development
in Terms of Purpose and Focus

 

Identify the basic purpose or role of a specified phrase or sentence

Delete a clause or sentence because it is obviously irrelevant to the essay

Identify the central idea or main topic of a straightforward piece of writing

Determine relevancy when presented with a variety of sentence-level details

Identify the focus of a simple essay, applying that knowledge to add a sentence that sharpens that focus or to determine if an essay has met a specified goal

Delete material primarily because it disturbs the flow and development of the paragraph

Add a sentence to accomplish a fairly straightforward purpose such as illustrating a given statement

Apply an awareness of the focus and purpose of a fairly involved essay to determine the rhetorical effect and suitability of an existing phrase or sentence, or to determine the need to delete plausible but irrelevant material

Add a sentence to accomplish a subtle rhetorical purpose such as to emphasize, to add supporting detail, or to express meaning through connotation

Determine whether a complex essay has accomplished a specific purpose

Add a phrase or sentence to accomplish a complex purpose, often expressed in terms of the main focus of the essay

Organization,
Unity, and Coherence

Use conjunctive adverbs or phrases to show time relationships in simple narrative essays (e.g., then, this time)

Select the most logical place to add a sentence in a paragraph

Use conjunctive adverbs or phrases to express straightforward logical relationships (e.g., first, afterward, in response)

Decide the most logical place to add a sentence in an essay

Add a sentence that introduces a simple paragraph

Determine the need for conjunctive adverbs or phrases to create subtle logical connections between sentences (e.g., therefore, however, in addition)

Rearrange the sentences in a fairly uncomplicated paragraph for the sake of logic

Add a sentence to introduce or conclude the essay or to provide a transition between paragraphs when the essay is fairly straightforward

Make sophisticated distinctions concerning the logical use of conjunctive adverbs or phrases, particularly when signaling a shift between paragraphs

Rearrange sentences to improve the logic and coherence of a complex paragraph

Add a sentence to introduce or conclude a fairly complex paragraph

Consider the need for introductory sentences or transitions, basing decisions on a thorough understanding of both the logic and rhetorical effect of the paragraph and essay

 

Score Range
13–15

Score Range
16–19

Score Range
20–23

Score Range
24–27

Score Range
28–32

Score Range
33–36

Word Choice
in Terms of Style, Tone, Clarity, and Economy

Revise sentences to correct awkward and confusing arrangements of sentence elements

Revise vague nouns and pronouns that create obvious logic problems

Delete obviously synonymous and wordy material in a sentence

Revise expressions that deviate from the style of an essay

Delete redundant material when information is repeated in different parts of speech (e.g., "alarmingly startled")

Use the word or phrase most consistent with the style and tone of a fairly straightforward essay

Determine the clearest and most logical conjunction to link clauses

Revise a phrase that is redundant in terms of the meaning and logic of the entire sentence

Identify and correct ambiguous pronoun references

Use the word or phrase most appropriate in terms of the content of the sentence and tone of the essay

Correct redundant material that involves sophisticated vocabulary and sounds acceptable as conversational English (e.g., "an aesthetic viewpoint" versus "the outlook of an aesthetic viewpoint")

Correct vague and wordy or clumsy and confusing writing containing sophisticated language

Delete redundant material that involves subtle concepts or that is redundant in terms of the paragraph as a whole

Sentence Structure and Formation

Use conjunctions or punctuation to join simple clauses

Revise shifts in verb tense between simple clauses in a sentence or between simple adjoining sentences

Determine the need for punctuation and conjunctions to avoid awkward-sounding sentence fragments and fused sentences

Decide the appropriate verb tense and voice by considering the meaning of the entire sentence

Recognize and correct marked disturbances of sentence flow and structure (e.g., participial phrase fragments, missing or incorrect relative pronouns, dangling or misplaced modifiers)

Revise to avoid faulty placement of phrases and faulty coordination and subordination of clauses in sentences with subtle structural problems

Maintain consistent verb tense and pronoun person on the basis of the preceding clause or sentence

Use sentence-combining techniques, effectively avoiding problematic comma splices, run-on sentences, and sentence fragments, especially in sentences containing compound subjects or verbs

Maintain a consistent and logical use of verb tense and pronoun person on the basis of information in the paragraph or essay as a whole

Work comfortably with long sentences and complex clausal relationships within sentences, avoiding weak conjunctions between independent clauses and maintaining parallel structure between clauses

 

Score Range
13–15

Score Range
16–19

Score Range
20–23

Score Range
24–27

Score Range
28–32

Score Range
33–36

Conventions
of Usage

Solve such basic grammatical problems as how to form the past and past participle of irregular but commonly used verbs and how to form comparative and superlative adjectives

Solve such grammatical problems as whether to use an adverb or adjective form, how to ensure straightforward subject-verb and pronoun-antecedent agreement, and which preposition to use in simple contexts

Recognize and use the appropriate word in frequently confused pairs such as there and their, past and passed, and led and lead

Use idiomatically appropriate prepositions, especially in combination with verbs (e.g., long for, appeal to)

Ensure that a verb agrees with its subject when there is some text between the two

Ensure that a pronoun agrees with its antecedent when the two occur in separate clauses or sentences

Identify the correct past and past participle forms of irregular and infrequently used verbs and form present-perfect verbs by using have rather than of

Correctly use reflexive pronouns, the possessive pronouns its and your, and the relative pronouns who and whom

Ensure that a verb agrees with its subject in unusual situations (e.g., when the subject-verb order is inverted or when the subject is an indefinite pronoun)

Provide idiomatically and contextually appropriate prepositions following verbs in situations involving sophisticated language or ideas

Ensure that a verb agrees with its subject when a phrase or clause between the two suggests a different number for the verb

Conventions
of Punctuation

Delete commas that create basic sense problems (e.g., between verb and direct object)

Provide appropriate punctuation in straightforward situations (e.g., items in a series)

Delete commas that disturb the sentence flow (e.g., between modifier and modified element)

Use commas to set off simple parenthetical phrases

Delete unnecessary commas when an incorrect reading of the sentence suggests a pause that should be punctuated (e.g., between verb and direct object clause)

Use punctuation to set off complex parenthetical phrases

Recognize and delete unnecessary commas based on a careful reading of a complicated sentence (e.g., between the elements of a compound subject or compound verb joined by and)

Use apostrophes to indicate simple possessive nouns

Recognize inappropriate uses of colons and semicolons

Use commas to set off a nonessential/ nonrestrictive appositive or clause

Deal with multiple punctuation problems (e.g., compound sentences containing unnecessary commas and phrases that may or may not be parenthetical)

Use an apostrophe to show possession, especially with irregular plural nouns

Use a semicolon to indicate a relationship between closely related independent clauses

Use a colon to introduce an example or an elaboration

Ideas for Progress
Score Range
1–12

Ideas for Progress
Score Range
13–15

Ideas for Progress
Score Range
16–19

Ideas for Progress
Score Range
20–23

Ideas for Progress
Score Range
24–27

Ideas for Progress
Score Range
28–32

 

Top of Page

 

 

 

TITLES FROM FREE RESPONSE QUESTIONS ON THE AP ENGLISH AND COMPOSITION EXAM

 

 

Titles from Free Response Questions*
Adapted from an original list by Norma J. Wilkerson.
Works referred to on the AP Literature exams since 1973 (specific years in parentheses).

 

A
Absalom, Absalom by William Faulkner (76, 00)
The Adventures of Huckleberry Finn by Mark Twain (80, 82, 85, 91, 92, 94, 95, 96, 99)
Agnes of God by John Pielmeier (00)
The Age of Innocence by Edith Wharton (97, 02, 03)
Alias Grace by Margaret Atwood (00, 04)
All the King's Men by Robert Penn Warren (00, 02, 04)
All My Sons by Arthur Miller (85, 90)
All the Pretty Horses by Cormac McCarthy (95, 96)
America is in the Heart by Carlos Bulosan (95)
An American Tragedy by Theodore Dreiser (81, 82, 95, 03)
Anna Karenina by Leo Tolstoy (80, 91, 99, 03, 04)
Another Country by James Baldwin (95)
Antigone by Sophocles (79, 80, 90, 94, 99, 03)
Anthony and Cleopatra by William Shakespeare (80, 91)
Apprenticeship of Duddy Kravitz by Mordecai Richler (94)
Armies of the Night by Norman Mailer (76)
As I Lay Dying by William Faulkner (78, 89, 90, 94, 01, 04)
As You Like It by William Shakespeare (92)
Autobiography of an Ex-Colored Man by James Weldon Johnson (02)
The Awakening by Kate Chopin (87, 88, 91, 92, 95, 97, 99, 02, 04)

B
"The Bear" by William Faulkner (94)
Beloved by Toni Morrison (90, 99, 01, 03)
A Bend in the River by V. S. Naipaul (03)
Benito Cereno by Herman Melville (89)
Billy Budd by Herman Melville (79, 81, 82, 83, 85, 99, 02, 04)
The Birthday Party by Harold Pinter (89, 97)
Bleak House by Charles Dickens (94, 00, 04)
Bless Me, Ultima by Rudolfo Anaya (94, 96, 97, 99, 04)
The Bluest Eye by Toni Morrison (95)
Bone: A Novel by Fae M. Ng (03)
Brave New World by Aldous Huxley (89)
Brighton Rock by Graham Greene (79)
The Brothers Karamazov by Fyodor Dostoevski (90)

C
Candida by George Bernard Shaw (80)
Candide by Voltaire (80, 86, 87, 91, 95, 96, 04)
The Caretaker by Harold Pinter (85)
Catch-22 by Joseph Heller (82, 85, 87, 89, 94, 01, 03, 04)
The Catcher in the Rye by J. D. Salinger (01)
Cat on a Hot Tin Roof by Tennessee Williams (00)
Cat's Eye by Margaret Atwood (94)
The Centaur by John Updike (81)
Ceremony by Leslie Marmon Silko (94, 96, 97, 99, 01, 03)
The Cherry Orchard by Anton Chekhov (71, 77)
"Civil Disobedience" by Henry David Thoreau (76)
The Color Purple by Alice Walker (92, 94, 95, 96, 97)
Coming Through Slaughter by Michael Ondaatje (01)
Cry, The Beloved Country by Alan Paton (85, 87, 91, 95, 96)
Crime and Punishment by Fyodor Dostoevski (76, 79, 80, 82, 88, 96, 99, 00, 01, 02, 03, 04)
"The Crisis" by Thomas Paine (76)
The Crucible by Arthur Miller (71, 83, 86, 89, 04)

D
Daisy Miller by Henry James (97, 03)
Dancing at Lughnasa by Brian Friel (01)
David Copperfield by Charles Dickens (78, 83)
"The Dead" by James Joyce (97)
The Death of Ivan Ilyich by Leo Tolstoy (86)
Death of a Salesman by Arthur Miller (86, 88, 94, 03, 04)
Delta Wedding by Eudora Welty (97)
Desire under the Elms by Eugene O'Neill (81)
Dinner at the Homesick Restaurant by Anne Tyler (97)
The Diviners by Margaret Laurence (95)
Doctor Faustus by Christopher Marlowe (79, 86, 99, 04)
A Doll's House by Henrik Ibsen (71, 83, 87, 88, 95)
The Dollmaker by Harriet Arnot (91)
Don Quixote by Miguel de Cervantes (01, 04)
Dreaming in Cuban by Cristina Garcia (03)
Dutchman by Amiri Baraka/Leroi Jones (03)

E
Emma by Jane Austen (96)
An Enemy of the People by Henrik Ibsen (76, 80, 87, 99, 01)
Equus by Peter Shaffer (92, 99, 00, 01)
Ethan Frome by Edith Wharton (80, 85, 03)
The Eumenides by Aeschylus (in The Orestia) (96)

F
The Fall by Albert Camus (81)
A Farewell to Arms by Ernest Hemingway (99, 04)
The Father by August Strindberg (01)
Fathers and Sons by Ivan Turgenev (90)
Faust by Johann Goethe (02, 03)
The Federalist by Alexander Hamilton (76)
Fences by August Wilson (02, 03)
A Fine Balance by Rohinton Mistry (03)
Fifth Business by Robertson Davis (00)
For Whom the Bell Tolls by Ernest Hemingway (03)
Frankenstein by Mary Shelley (89, 00, 03)

G
A Gathering of Old Men by Ernest Gaines (00)
A Gesture Life by Chang-Rae Lee (04)
Ghosts by Henrik Ibsen (00, 04)
The Glass Menagerie by Tennessee Williams (71, 90, 94, 97, 99, 02)
Going After Cacciato by Time O'Brien (01)
The Good Soldier by Ford Maddox Ford (00)
The Grapes of Wrath by John Steinbeck (95, 03)
Great Expectations by Charles Dickens (79, 80, 88, 89, 92, 95, 96, 00, 01, 02, 03, 04)
The Great Gatsby by F. Scott Fitzgerald (82, 83, 88, 91, 92, 97, 00, 02, 04)
Go Tell It on the Mountain by James Baldwin (83, 88, 90)
Gulliver's Travels by Jonathan Swift (87, 89, 01, 04)

H
The Hairy Ape by Eugene O'Neill (89)
Hamlet by William Shakespeare (88, 94, 97, 99, 00)
Hard Times by Charles Dickens (87, 90)
The Handmaid's Tale by Margaret Atwood (03)
Heart of Darkness by Joseph Conrad (71, 76, 91, 94, 96, 99, 00, 01, 02, 03, 04)
The Heart of the Matter by Graham Greene (71)
Hedda Gabler by Henrik Ibsen (79, 92, 00, 02, 03)
Henry IV, Parts I and II by William Shakespeare (80, 90)
Henry V by William Shakespeare (02)
The Homecoming by Harold Pinter (78, 90)
House Made of Dawn by N Scott Momaday (95)
The House of Mirth by Edith Wharton (04)
The House of Seven Gables by Nathaniel Hawthorne (89)

I
The Iliad by Homer (80)
In the Lake of the Woods by Tim O'Brien (00)
Invisible Man by Ralph Ellison (76, 77, 78, 82, 83, 85, 86, 87, 88, 89, 91, 94, 95, 96, 97, 01, 03, 04)

J
Jane Eyre by Charlotte Bronte (78, 79, 80, 88, 91, 94, 95, 96, 97, 99, 00)
Jasmine by Bharati Mukherjee (99)
J.B. by Archibald MacLeish (81, 94)
Joe Turner's Come and Gone by August Wilson (00, 04)
The Joy Luck Club by Amy Tan (97, 03)
Joseph Andrews by Henry Fielding (99)
Jude the Obscure by Thomas Hardy (71, 76, 80, 85, 87, 95, 04)
Julius Caesar by William Shakespeare (82, 97)
The Jungle by Upton Sinclair (77, 78, 82, 88, 89, 90, 96)

K
King Lear by William Shakespeare (77, 78, 82, 88, 89, 90, 96, 01, 03, 04)

L
A Lesson before Dying by Ernest Gaines (99)
Letters from an American Farmer by de Crevecoeur (76)
Light in August by William Faulkner (71, 79, 81, 82, 83, 85, 95, 99, 03)
The Little Foxes by Lillian Hellman (85, 90)
Long Day's Journey into Night by Eugene O'Neill (90, 03)
Lord Jim by Joseph Conrad (77, 78, 82, 86, 00, 03)
Lord of the Flies by William Golding (85)
The Loved One by Evelyn Waugh (89)
Love Medicine by Louise Erdrich (95)
"Love Song of J. Alfred Prufrock" by T. S. Eliot (85)
Lysistrata by Aristophanes (87)

M
Macbeth by William Shakespeare (83, 99,03)
Madame Bovary by Gustave Flaubert (80, 85, 04)
Main Street by Sinclair Lewis (87)
Major Barbara by George Bernard Shaw (79, 96m 04)
Man and Superman by George Bernard Shaw (81)
Mansfield Park by Jane Austen (03)
Master Harold...and the Boys by Athol Fugard (03)
The Mayor of Casterbridge by Thomas Hardy (94, 99, 00, 02)
M. Butterfly by David Henry Wang (95)
Medea by Euripides (82, 92, 95, 01, 03)
The Member of the Wedding by Carson McCullers (97)
The Merchant of Venice by William Shakespeare (85, 91, 95, 02, 03)
Metamorphosis by Franz Kafka (78, 89)
Middlemarch by George Eliot (95, 04)
The Mill on the Floss by George Eliot (90, 92, 04)
Miss Lonelyhearts by Nathanael West (89)
Moby Dick by Herman Melville (76, 77, 78, 79, 80, 89, 94, 96, 01, 03, 04)
Moll Flanders by Daniel Defoe (76, 77, 86, 87, 95)
Monkey Bridge by Lan Cao (00, 03)
Mother Courage and Her Children by Berthold Brecht (85, 87)
Mrs. Dalloway by Virginia Woolf (94, 97, 04)
Mrs. Warren's Profession by George Bernard Shaw (87, 90, 95, 02)
Much Ado About Nothing by William Shakespeare (97)
Murder in the Cathedral by T. S. Eliot (76, 80, 85, 95)
"My Last Duchess" by Robert Browning (85)
My Antonia by Willa Cather (03)
My Name is Asher Lev by Chaim Potok (03)

N
Native Son by Richard Wright (79, 82, 85, 87, 95, 01, 04)
Native Speaker by Chang-Rae Lee (99, 03)
1984 by George Orwell (87, 94)
No Exit by John Paul Sartre (86)
No-No Boy by John Okada (95)
Notes from the Underground by Fyodor Dostoevski (89)

O
Obasan by Joy Kogawa (94, 95, 04)
The Odyssey by Homer (86)
Oedipus Rex by Sophocles (77, 85, 88, 00, 03, 04)
Of Mice and Men by John Steinbeck (01)
One Hundred Years of Solitude by Gabriel Garcia Marquez (89, 04)
One Flew Over the Cuckoo's Nest by Ken Kesey (01)
The Optimist's Daughter by D. H. Lawrence (94)
The Orestia by Aeschylus (90)
Orlando: A Biography by Virginia Woolf (04)
Othello by William Shakespeare (79, 85, 88, 92, 95, 03.04)
Our Mutual Friend by Charles Dickens (90)
Our Town by Thornton Wilder (86, 97)

P
Pale Fire by Vladimir Nabokov (01)
Pamela by Samuel Richardson (86)
A Passage to India by E. M. Forster (71, 77, 78, 88, 91, 92)
Paradise Lost by John Milton (85, 86)
Père Goriot by Honore de Balzac (02)
Persuasion by Jane Austen (90)
Phaedre by Jean Racine (92, 03)
The Piano Lesson by August Wilson (96, 99)
The Picture of Dorian Gray by Oscar Wilde (02)
The Plague by Albert Camus (02)
Pnin by Vladimir Nabokov (97)
Pocho by Jose Antonio Villarreal (02)
Portrait of a Lady by Henry James ( 88, 92, 96, 03)
Portrait of the Artist as a Young Man by James Joyce (76, 77, 80, 86, 88, 96, 99, 04)
The Power and the Glory by Graham Greene (95)
Praisesong for the Widow by Paule Marshall (96)
Pride and Prejudice by Jane Austen (83, 88, 92, 97)
The Prime of Miss Jean Brodie by Muriel Spark (90)
Pygmalion by George Bernard Shaw (03)

R
Ragtime by E. L. Doctorow (03)
A Raisin in the Sun by Lorraine Hansberry (87, 90, 94, 96, 99)
The Rape of the Lock by Alexander Pope (81)
Redburn by Herman Melville (87)
The Remains of the Day by Kazuo Ishiguro (00, 03)
Richard III by William Shakespeare (79)
A Room of One's Own by Virginia Woolf (76)
A Room with a View by E. M. Forster (03)
Romeo and Juliet by William Shakespeare (90, 92, 97)
Rosencrantz and Guildenstern Are Dead by Tom Stoppard (81, 94, 00, 04)

S
Saint Joan by George Bernard Shaw (95)
The Sandbox by Edward Albee (1971)
The Scarlet Letter by Nathaniel Hawthorne (71, 77, 78, 83, 88, 91, 99, 02, 04)
Sent for You Yesterday by John Edgar Wideman (03)
A Separate Peace by John Knowles (82)
The Shipping News by E. Annie Proulx (97)
Silas Marner by George Eliot (02)
Sister Carrie by Theodore Dreiser (87, 02, 04)
Slaughterhouse Five by Kurt Vonnegut (91, 04)
Snow Falling on Cedars by David Guterson (00)
Song of Solomon by Toni Morrison (81, 88, 96, 00, 04)
Sons and Lovers by D. H. Lawrence (77, 90)
The Sound and the Fury by William Faulkner (77, 86, 97, 01)
The Stone Angel by Margaret Laurence (96, 04)
The Stranger by Albert Camus (79, 82, 86, 04)
A Streetcar Named Desire by Tennessee Williams (91, 92, 01, 04)
Sula by Toni Morrison (92, 97, 02, 04)
The Sun Also Rises by Ernest Hemingway (85, 91, 95, 96, 04)

T
A Tale of Two Cities by Charles Dickens (82, 91, 04)
Tarftuffe by Moliere (87)
The Tempest by William Shakespeare (71,78, 96, 03)
Tess of the D'Urbervilles by Thomas Hardy (82, 91, 03)
Their Eyes Were Watching God by Zorah Neale Hurston (88, 90, 91, 96, 04)
Things Fall Apart by Chinua Achebe (91, 97, 03)
The Things They Carried by Tim O'Brien (04)
Tom Jones by Henry Fielding (90, 00)
To the Lighthouse by Virginia Woolf (77, 86, 88)
The Trial by Franz Kafka (88, 89, 00)
Trifles by Susan Glaspell (00)
Tristram Shandy by Laurence Sterne (86)
The Turn of the Screw by Henry James (92, 94, 00, 02, 04)
Twelfth Night by William Shakespeare (85, 94, 96)
Typical American by Gish Jen (02, 03)

U
Uncle Tom's Cabin by Harriet Beecher Stowe (87)

V
Victory by Joseph Conrad (83)
Volpone by Ben Jonson (83)

W
Waiting for Godot by Samuel Beckett (77, 85, 86, 89, 94, 01)
The Warden by Anthony Trollope (96)
Washington Square by Henry James (90)
The Wasteland by T. S. Eliot (81)
Watch on the Rhine by Lillian Hellman (87)
The Way of the World by William Congreve (71)
Who's Afraid of Virginia Woolf? by Edward Albee (88, 94, 00, 04)
Wide Sargasso Sea by Jean Rhys (89, 92)
The Wild Duck by Henrik Ibsen (78)
Winter in the Blood by James Welch (95)
Winter's Tale by William Shakespeare (82, 89, 95)
Wise Blood by Flannery O'Connor (82, 89, 95)
Woman Warrior by Maxine Hong Kingston (91)
Wuthering Heights by Emily Bronte (71,77, 78, 79, 83, 86, 88, 89, 90, 91, 92, 96, 97, 99, 01)

Z
The Zoo Story by Edward Albee (82, 01)
Zoot Suit by Luis Valdez (95)

 

 

 Most Frequently Cited 1970-2004

18 Invisible Man by Ralph Ellison
15 Wuthering Heights by Emily Bronte
12 Crime and Punishment by Fyodor Dostoevski
12 Great Expectations by Charles Dickens
11 Jane Eyre by Charlotte Bronte
11 Moby Dick by Herman Melville
10 Heart of Darkness by Joseph Conrad
10 King Lear by William Shakespeare
9 The Adventures of Huckleberry Finn by Mark Twain
9 The Awakening by Kate Chopin
9 The Great Gatsby by F. Scott Fitzgerald
9 The Scarlet Letter by Nathaniel Hawthorne
8 Billy Budd by Herman Melville
8 Portrait of the Artist as a Young Man by James Joyce
8 Catch-22 by Joseph Heller
7 Candide by Voltaire
7 Jude the Obscure by Thomas Hardy
7 The Jungle by Upton Sinclair
7 Light in August by William Faulkner
7 Native Son by Richard Wright
7 Othello by William Shakespeare
6 Ceremony by Leslie Marmon Silko
6 The Glass Menagerie by Tennessee Williams
6 Waiting for Godot by Samuel Beckett
5 The Color Purple by Alice Walker
5 Cry, The Beloved Country by Alan Paton
5 An Enemy of the People by Henrik Ibsen
5 Moll Flanders by Daniel Defoe
5 A Passage to India by E. M. Forster
5 A Raisin in the Sun by Lorraine Hansberry

 

Shakespeare - All Plays Total = 53

2 Anthony and Cleopatra
1 As You Like It
5 Hamlet
2 Henry IV, Parts I and II
1 Henry V
2 Julius Caesar
10 King Lear
3 Macbeth
5 Merchant of Venice
1 Much Ado About Nothing
7 Othello
1 Richard III
3 Romeo and Juliet
4 The Tempest
3 Twelfth Night

3 Winter's Tale

 Classical Greek Literature = 22

6 Antigone by Sophocles
1 The Eumenides by Aeschylus
1 The Iliad by Homer
1 Lysistrata by Aristophanes
5 Medea by Euripides
1 The Odyssey by Homer
6 Oedipus Rex by Sophocles
1 The Orestia by Aeschylus